Alison Wilding at De La Warr Pavilion, Bexhill-on-Sea

Review by Jonathan Jones

An article for the Guardian by Jonathan Jones reviews the work of Alison Wilding's shown at the De La Warr Pavilion.


Jones advocates Wilding as an 'alchemist whose art is full of romance and mystery', refering to works such as Red Skies, 1992 and Drowned, 1993. Demonstrating the 'dreamlike abstractions', Jones draws paralells between the role of the artists material and a 'connection with the natural world' through titles such as Cuckoo I, 2015. 


Read the full article on the Gardian website








June 22, 2018