Introduction
Biographical notes
Short CV
Publications for sale
Works available
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Overview
Bridget Riley is one of the leading abstract painters of her generation. For the past four decades her career has been distinguished by a series of remarkable innovations. She first attracted critical attention with the dazzling black and white paintings of the early 1960s. She has continued to develop new styles in her work and remains a master at allowing us to question the way we see.
Exhibitions
July - August 2004 - Karsten Schubert, London
September - October 2004 - PaceWildenstein Gallery, New York
October - November 2004 - Aurel Scheibler Gallery, Cologne, Germany
December onwards 2004 - 2005 British Council Touring Exhibition, Sydney, Wellington, Aarau
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Born: 1931, London |
Lives and works in London, Cornwall and France |
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Selected One-Person Exhibitions: |
1962 | |
Gallery One, London |
1963 | |
Gallery One, London |
1965 | |
Richard Feigen Gallery, New York |
1966 | |
'Drawings', Richard Feigen Gallery, New York |
1966-67 | |
'Bridget Riley, Drawings', Museum of Modern Art, New York and USA tour |
1967 | |
Richard Feigen Gallery, New York |
1968 | |
Richard Feigen Gallery, New York |
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British Pavilion 34th Venice Biennale (with Phillip King) and tour to St�dtische Kunstgalerie, Bochum; |
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Museum Boymans van Beuningen, Rotterdam |
1969 | |
Rowan Gallery, London |
1970 | |
Retrospective Exhibition Tour: Kunstverein Hannover; Kunsthalle Berne; Kunsthalle D�sseldorf; Museo |
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Civico, Turin; Hayward Gallery, London; National Gallery, Prague |
1971 | |
'Drawings', Rowan Gallery, London |
1972 | |
'Drawings', Rowan Gallery, London |
1973 | |
Arts Council of Great Britain Exhibition, 'Paintings and Drawings 1961-73', touring UK |
1975 | |
Galerie Beyeler, Basel |
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Sidney Janis Gallery, New York |
1976 | |
Rowan Gallery, London |
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Coventry Gallery, Sydney |
1977 | |
Minami Gallery, Tokyo |
1978 | |
Sidney Janis Gallery, New York |
1979 | |
'Drawings', Australian Galleries, Melbourne; Bouython Gallery, Adelaide |
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'Bridget Riley, Works 1959-78', British Council retrospective exhibition, Albright-Knox Art Gallery, Buffalo, |
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New York; Dallas Museum of Fine Art, Texas; Neuberger Museum, Purchase, New York; Art |
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Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth; National Museum |
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of Modern Art, Tokyo |
1980-82 | |
'Bridget Riley Silkscreen Prints 1965-78', Arts Council of Great Britain touring exhibition |
1981 | |
'Recent Paintings and Gouaches', Rowan Gallery and Warwick Arts Trust, London |
1983 | |
'Bridget Riley Paintings and Drawings 1981-83' Nishimura Gallery, Tokyo |
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'Gouaches', Juda Rowan Gallery, London |
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or the Royal Liverpool Hospital', Royal Institute of British Architects, London |
1980-85 | |
'Working with Colour', Arts Council of Great Britain exhibition: D.L.I. Museum and Arts Centre, Durham and UK tour |
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Galerie Reckermann, Cologne |
1987 | |
Galerie Konstructiv Tendens, Stockholm |
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Galerie und Edition Schegl, Z�rich |
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'Bridget Riley, New Work', Mayor Rowan Gallery, London |
1989 | |
Galerie und Edition Schegl, Z�rich |
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'Bridget Riley, Works on Paper', Mayor Rowan Gallery, London |
1990 | |
Sidney Janis Gallery, New York |
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Nishimura Gallery, Tokyo |
1991 | |
'Bridget Riley, Paintings 1982-1992', Kunsthalle, N�rnberg; Quadrat Bottrop, Josef Albers Museum; |
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Hayward Gallery, London; Ikon Gallery, Birmingham |
1992 | |
'Bridget Riley, Works on Paper, 1982-1992', Karsten Schubert Ltd, London |
1992 | |
'Bridget Riley: Paintings', Galerie Ascan Crone, Hamburg |
1993 | |
'Bridget Riley: Colour Studies', Karsten Schubert Ltd, London |
1994 | |
'Bridget Riley : Works on Paper 1963-1993' Karsten Schubert at ART94 |
1994 | |
'Three New Paintings', Karsten Schubert, London |
1994 | |
'Bridget Riley: Six paintings 1963-1993 from the collection', Tate Gallery, London, Room 28 |
1995 | |
'Bridget Riley: Recent Paintings and Gouaches', Kettle's Yard, Cambridge |
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'Bridget Riley: Recent Works: Paintings and Gouaches 1980-1995', Spacex Gallery, Exeter |
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'Bridget Riley Gouaches 1980-1995', Aberdeen City Art Gallery, Aberdeen |
1996 | |
'Bridget Riley: Recent Paintings and Gouaches', Waddington Galleries and Karsten Schubert, London |
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'Bridger Riley: Gouaches 1980-1995', British School at Rome, Italy |
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'Bridget Riley: Paintings and Gouaches 1980-1995' Leeds City Art Gallery, Leeds |
1997 | |
�Bridget Riley: Selected Works from 1980 onwards� Green on Red Gallery, Dublin, Ireland |
1998 | |
'Bridget Riley' Galerie Michael Sturm, Stuttgart, Germany |
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'Bridget Riley: Works 1961-1998' Abbot Hall Art Gallery and Museum, Kendal, Cumbria |
1999 | |
�Bridget Riley: Paintings from the 60s and 70s�, Serpentine Gallery, London |
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'Bridget Riley: 'Selected Paintings 1961-1999', Kunstverein f�r die Rheinlande und Westfalen, D�sseldorf, Germany |
2000 | |
�Bridget Riley: New Paintings and Gouaches�, Waddington Galleries, London |
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�Bridget Riley: Reconnaissance�, Dia Center for the Arts, New York (Sept 2000 � June 2001) |
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�Bridget Riley: Paintings and Works on Paper� Pace Wildenstein, New York |
2003 | |
�Bridget Riley�, fig-1, London |
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�Bridget Riley � Black & White�, Karsten Schubert, London |
2002-03 | |
�Bridget Riley � New Work�, Kaiser Wilhelm Museum and Museum Haus Esters, Krefeld, Germany |
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�Bridget Riley � Complete Prints� Hayward Gallery Touring Exhibition, Hull, Glasgow, Kendal, Rugby, Swansea, Eastbourne, Colchester. |
2003 | |
�Bridget Riley � New Paintings, Prints and Studies� Green on Red Gallery, Dublin |
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�Bridget Riley� Galerie Beyeler, Basel, Switzerland |
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�Bridget Riley � Retrospective� Tate Britain, London |
2003-04 | |
�Bridget Riley � New Work� PaceWildenstein , New York |
2004-05 | |
�Bridget Riley � Complete Prints� Hayward Gallery Touring Exhibition, Estonia, Lithuania, Slovakia, Croatia, Slovenia, Poland, Ukraine, Georgia |
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Selected Group Exhibitions: |
1955 | |
'Young Contemporaries', London |
1962 | |
'Towards Art', Arts Council Touring Exhibition |
1963 | |
'Critics Choice', Tooths Gallery, London |
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John Moores' Exhibition, Liverpool |
1964 | |
The New Generation', Whitechapel Gallery, London |
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'Nouvelle Tendance', Mus�e des Arts D�coratifs, Paris |
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'Profile 3, Englische Kunst der Gegenwart', Bochum, Germany |
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'Six Young Artists', Arts Council Touring Exhibition |
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'Painting and Sculpture of a Decade, 1954-64' Tate Gallery (Gulbenkian Foundation) |
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'Contemporary British Painting and Sculpture', Albright-Knox Gallery, Buffalo, New York |
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Pittsburgh International, Carnegie Institute, Pittsburgh |
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Young Artists Biennale, Tokyo |
1965 | |
'London, The New Scene', Walker Art Centre, Minneapolis |
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'The Responsive Eye', Museum of Modern Art, New York and USA tour |
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4th Biennale des Jeunes, Paris |
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John Moores' Exhibition, Liverpool |
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Tel Aviv Museum, Israel |
1966 | |
Group Exhibition, Galerie Aujourd'hui, Brussels |
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'London Under Forty', Galleria Milano, Milan |
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'Multiplicity', Institute of Contemporary Art, Boston |
1967 | |
'Drawing Towards Painting 2', Arts Council, London, and touring Great Britain |
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'British Drawings', Museum of Modern Art, New York and touring USA |
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Pittsburgh International, Carnegie Institute |
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'Aquisitions of the Sixties', Museum of Modern Art, New York |
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'Recent Bitish Painting', Peter Stuyvesant Foundation, New York |
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'Jeunes Peintres Anglais', Palais des Beaux Arts, Brussels |
1968 | |
'The New Generation, Interim Exhibition', Whitechapel Gallery, London |
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'Britische Kunst Heute', Kunstverein Hamburg |
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'European Painters of Today', Mus�e des Arts D�coratifs, Paris and touring USA |
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'20th Century Art' Fondation Maeght, France |
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'British Artists: 6 Painters, 6 Sculptors', Museum of Modern Art, New York and touring USA |
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'New British Painting and Sculpture', organized by the Whitechapel Gallery, touring USA and Canada |
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'Junge Generation Gro�britannien' Akademie der K�nste, Berlin |
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Documenta IV, Kassel, Germany |
1969 | |
'Contemporary Art: Dialogue Between East and West', National Museum of Modern Art, Tokyo |
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'Marks on Canvas', Museum am Ostwall, Dortmund, Kunstverein Hannover, Museum des 20. |
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Jahrhunderts, Vienna |
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'Black White', Smithsonian Institution touring exhibition |
1971 | |
ROSC, Dublin |
1972 | |
St�dtische Galerie, G�ttingen, Germany |
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'Colour', D.L.I. Museum and Arts Centre, Durham |
1973 | |
'La peinture anglaise aujourd'hui', Mus�e d'Art Moderne, Paris |
1974 | |
'British Painting '74', Hayward Gallery, London |
1975 | |
British Exhibition, Art 6 '75, Basel, Schweizer Mustermesse, Basel |
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'Contemporary British Drawings', XII Bienale de Sao Paulo |
1976 | |
'Contemporary British Art', Galleries of the Cleveland Institute of Art |
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'Arte Inglese Oggi', Palazzo Reale, Milan |
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'Art as thought process', XI Biennale International d'Art, Palais de l'Europe, Menton |
1977 | |
'Less is More', Sidney Janis Gallery, New York |
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Documenta VI, Kassel |
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'Bienale de Paris, une anthologie: 1959-1967', Paris |
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'British Artists of the 60's', Tate Gallery, London |
1977-8 | |
'Recent British Art', British Council Exhibition, touring Yugoslavia, Greece, Austria, Poland, Sweden, Norway and Finland |
1978 | |
'The Mechanised Image', Arts Council Exhibition, City Museum and Art Gallery, Portsmouth and tour |
1979 | |
'Colour 1950-78', D.L.I. Museum and Arts Centre, Durham |
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'Sonia Delaunay, Viera da Silva, Bridget Riley', Galerie Beyeler, Basel, Art Fair |
1982 | |
'Aspects of British Art Today', British Council Exhibition touring Japan: Tokyo Metropolitan Museum; Tochigi Prefectural Museum; National Museum of Modern Art, Osaka; Fukuoka Art Museum; Hokkaido Museum of Modern Art, Sapporo |
1983 | |
'Britain Salutes New York', Marlborough Gallery, New York |
1984 | |
'A Different Climate', St�dtische Kunsthalle, D�sseldorf |
1985 | |
Hayward Annual: '25 Years: Three Decades of Contemporary Art: The Sixties, The Seventies and The Eighties', Hayward Gallery, London |
1986 | |
'XLII Esposizione International d'Arte La Biennale di Venezia', Venice |
1987 | |
'British Art in the 20th Century', Royal Academy, London; Staatsgalerie, Stuttgart |
1988-89 | |
'Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and major loans', USA tour |
1989 | |
'The Presence of Painting, Aspects of British Abstraction 1957-88', Mappin Art Gallery, Sheffield and touring U.K. |
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'The Experience of Painting, Eight Modern Artists', Laing Art Gallery, Newcastle upon Tyne and touring UK |
1990 | |
'K�nstlerinnen des 20 Jahrhunderts', Museum Wiesbaden |
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'Glasgow's Great British Art Exhibition', Mclennan Galleries, Glasgow |
1992 | |
'Ready Steady Go. Paintings of the Sixties from the Arts Council Collection', the South Bank Centre, Royal Festival Hall, London, and touring UK |
1993 | |
'The Sixties Art Scene In London' (curated by David Mellor), Barbican Art Gallery, London |
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'Karsten Schubert at Aurel Scheibler: Keith Coventry, Angus Fairhurst, Michael Landy, Bridget Riley, Rachel Whiteread', Galerie Aurel Scheibler, Cologne |
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'A Group Show: Keith Coventry, Peter Davis, Anya Gallaccio, Zebedee Jones, Bridget Riley and Alison Wilding', Karsten Schubert, London |
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'British Abstract Art Part I: Painting', Flowers East Gallery, London |
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'Summer Group Show: Gallery Artists', Karsten Schubert, London |
1994 | |
'Drawing The Line' (curated by Michael Craig-Martin), Southampton City Art Gallery; Manchester City Art Gallery; Ferrens Art Gallery, Hull; Whitechapel Art Gallery, London |
1995 | |
'From Here' Art and Language, Glenn Brown, Alan Charlton, Keith Coventry, Michael Craig-Martin, Ian Davenport, Peter Davis, Mark Francis, Patrick Heron, Damien Hirst, Gary Hume, Callum Innes Zebedee Jones, Julian Lethbridge, Simon Linke, Jason Martin, Fiona Rae, Bridget Riley), Waddington Galleries and Karsten Schubert, London |
1996 | |
'Take It From Here', CAS purchases 1992-1995, City Library, Sunderland Museum & Art Gallery, University of Sunderland, Sunderland |
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'British Abstract Art III: Works on Paper', Flowers East, London, August 9 to September 15, 1996 |
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'Artists in Print', Michael Craig-Martin, Fergus Feehily, Terry Frost, Hamish Fulton, John Graham, Bridget Riley; Green on Red Gallery, Dublin, Ireland |
1997 | |
�Treasure Island�, Gulbenkian Foundation, Lisbon, Portugal |
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�A Quality of Light�, Tate Gallery St Ives, Cornwall |
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'White Noise', Kunsthalle, Bern |
1999 | |
�Sublime. The Darkness and the Light� Works from the Arts Council Collection, Southampton City Art |
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Gallery; Hayward Gallery, London & touring |
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'45-�99�, Kettles Yard, Cambridge and touring, selected by Bryan Robertson |
2000 | |
�Blue�, New Art Gallery, Walsall |
2001 | |
Florida State University Museum of Fine Arts |
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UBS Warburg� British Council loan exhibition |
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Royal Academy Summer Exhibition |
2002-03 | |
From Blast To Freeze: A Century of British Art, Kunstmuseum Wolfsburg and Les Abattoirs, Toulouse |
2003 | |
Venice Biennale Painting Exhibition |
1995 | |
From Here, (exh.cat) |
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Bridget Riley: Dialogues on Art, with Neil MacGregor, E.H. Gombrich, Michael Craig-Martin, Andrew Graham Dixon and Bryan Robertson |
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Recent Works: Paintings and Gouaches 1981-1995, Spacex , (exh. Cat) |
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Recent Works: Paintings and Gouaches, Waddington Galleries and Karsten Schubert, London |
1998 | |
Briget Riley: Works 1961-1998, (exh. cat), Abbot Hall Art Gallery and Museum, Kendal, Cumbria |
1999 | |
The Eye�s Mind: Bridget Riley; Collected Writings 1965-1999, ed. Robert Kudielka, published by Thames & Hudson, Serpentine Gallery and De Montfort University |
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Bridget Riley: Paintings from the 60s and 70s, (exh.cat) Serpentine Gallery, London |
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Bridget Riley: Selected Paintings 1961-1999, Kunstverein f�r die Rheinlande und Westfalen D�sseldorf (exh.cat), Hatje Cantz Publishers, Germany |
2000 | |
Bridget Riley: New Paintings and Gouaches (exh.cat), Waddington Galleries / Karsten Schubert 2000 |
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Bridget Riley: Paintings 1982-2000 and Early Works on Paper, Pace Wildenstein, New York |
2001 | |
Bridget Riley: Reconnaissance, Dia Center for the Arts, New York |
2002 | |
Bridget Riley � Complete Prints, to coincide with Hayward Touring Exhibition |
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Bridget Riley � New Work (exb cat) Kaiser Wilhelm Museum, Krefeld, Germany |
2004 | |
Bridget Riley: Dialogues on Art (re-issue) Thames & Hudson |
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Bridget Riley Tate Retrospective catalogue |
1980-83 | |
Liverpool Hospital Project |
1981 | |
'Colour Moves', Design for Ballet Rambert, opening at the Edinburgh Festival |
1981-88 | |
Trustee of the National Gallery, London |
1986-87 | |
St Mary's Hospital project, London |
1988 | |
Commission for ICI, Millbank, London |
1989 | |
'The Artist's Eye, Bridget Riley', The National Gallery, London |
1998- | |
Commission for Foster & Partners' Citibank building, Canary Wharf, London |
2002 | |
�Paul Klee� Hayward Gallery, London, Co-Curator with Robert Kudielka |
1963 | |
AICA Critics Prize |
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Prize of the John Moores' Exhibition, Liverpool |
1964 | |
Peter Stuyvesant Foundation Travel Bursary to USA |
1969 | |
The International Prize for Painting, XXXIV Venice Biennale |
1972 | |
Ohara Museum Prize, 8th International Print Biennale, Tokyo |
1974 | |
Awarded CBE |
1976 | |
Honorary Doctor of Letters, University of Manchester |
1979 | |
Gold Medal at Grafikk-Biennale, Frerickstad, Norway |
1981-88 | |
Trustee of the National Gallery, London |
1986 | |
Honorary Doctor of Letters, University of Ulster |
1994 | |
Honorary Doctor of Letters, Oxford University |
1995 | |
Honorary Doctor of Letters, Cambridge University |
1996 | |
Honorary Doctor of Arts, De Montfort University |
1997 | |
Honorary Doctor of Letters, University of Exeter |
1999 | |
Awarded Companion of Honour |
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Selected Reviews (since August 1992) |
1992 Aug 22 | |
John Whitley | |
'The Art of Riley', Telegraph Magazine, pp 17-22 |
1992 Sept | |
Bryan Robertson | |
'Bridget Riley: Work In Progress', Modern Painters Magazine, Vol V, No 3, pp 32/33 (ill) |
1992 Sept 8 | |
Andrew Graham-Dixon | |
'Earning Her Stripes', The Independent, p 20 (ill) |
1992 Sept 17 | |
Tim Hilton | |
'Strokes of Originality', The Guardian, p 31 (ill) |
1992 Sept 20 | |
Louisa Buck | |
'Orderly Passion Along Colour Lines', The Sunday Times (Review), pp 12/13 (ill) |
1992 Sept 20 | |
John McEwen | |
'When Man and Nature Were Not Divided', Sunday Telegraph, p XIII |
1992 Sept 20 | |
William Feaver | |
'In the presence of strange gods', Observer, p 52 |
1992 Sept 20 | |
Tom Lubbock | |
'Diamonds are a girl's best friend', The Independent On Sunday, p 20 (ill) |
1992 Sept | |
James Roberts | |
'Visual Fabric', interview with Bridget Riley, Frieze Magazine No 6, pp 20-23 (ill) |
1992 Sept 29 | |
William Packer | |
' Op Art Thirty Years On', Financial Times, p 23 (ill) |
1992 Oct | |
Roger Bevan | |
'Around The Galleries', The Art Newspaper No 21, p 33 |
1992 Oct 7 | |
Simon Corbin | |
'Sense and Sensibility', What's On Magazine, pp 24-25 (ill) |
1992 Oct 8 | |
Brian Sewell | |
'A New Slant On Diagonal Landscapes', The Evening Standard, p 41 (ill) |
1992 Oct | |
Larry Berryman | |
'Bridget Riley', Arts Review Magazine, pp 480/481 (ill) |
1992 Autumn | |
John Spurling | |
'Patchwork of Colours', Royal Academy Magazine, p 15 (ill) |
1992 Winter | |
Judith Bumpus | |
'Bridget Riley', Contemporary Art Magazine, Vol 1, No 2, pp 33-36 (ill) |
1993 March | |
Giles Auty | |
'Curatorial Hang-Ups', Arts Review - London pp 32-34 |
1993 March 11 | |
'Women who managed to break the mould', Manchester Evening News |
1993 March 12 | |
Richard Cork | |
'High hopes between hard edges', The Times, |
1993 March 12 | |
Events Page, The Times Educstional Supplement, (ill) |
1993 March 14 | |
Tim Hilton | |
'That was the decade that wasn't', The Independent on Sunday, Review section (Exhibitions) |
1993 March 16 | |
Andrew Graham-Dixon | |
'Those were the days', The Independent (ill) |
1993 March 16 | |
William Packer | |
'Pop goes the Sixties', The Financial Times |
1993 March 19 | |
James Hall | |
'Unnatural Selection', The New Statesman and Society, p 33 (ill) |
1993 March | |
'Exhibition where everyone swings', Hampstead and Highgate Express |
1993 March | |
Frank Whitford | |
'Nostalgia trip', The Sunday Times, section 2, p 9 (ill) |
1993 March | |
Clare Henry | |
'Why loyalty should begin at home', Glasgow Herald |
1993 March | |
Anthony Haden-Guest | |
'Just how swinging was Sixties London?', The Standard Magazine, pp 96-97 (ill) |
1993 April 5 | |
Mary Blume | |
'In London, a Mothballed View of the Sixties', International Herald Tribune, p 16 (ill) |
1993 April 7 | |
Richard Dorment | |
'When Revolution Was in the Air', Daily Telegraph, p 18 (ill) |
1994 March 5 | |
Ginny Dougery | |
'Between the Lines', The Times Magazine, pp 8-12 (ill cover and 9-12) |
1994 July | |
Bridget Riley in Conversation with E H Gombrich, The Burlington Magazine, No 1096, cover ill and pp 427-429 |
1994 Nov | |
Mary Rose Beaumont | |
'Art Under � 1,000.00' (Contemporary Art Societ Market), Arts Review Magazine, pp 40-42 (ill) |
1995 April 3 | |
Geraldine Norman | |
'Stampede starts From Here', The Independent, p 7 |
1995 April 4 | |
Adrian Searle | |
'Any Colour You Like as Long as It's a Joke'. The Independent, p 21 |
1995 April 9 | |
Tim Hilton | |
'Fate, hopelessness, little clarity', The Independent on Sunday Review, p31 |
1995 April 12 | |
Martin Gayford | |
'The medium that refused to die', The Telegraph, p 19 |
1995 April 15 | |
Giles Auty | |
'Edge of the black hole', The Spectator, p 42 |
1995 April 19-26 | |
Martin Coomer | |
'From Here', Time Out, p46 (ill) |
1995 May | |
Michael Archer | |
'Licensed to Paint', Art Monthly Magazine, No 186, pp 8-10 |
1995 November | |
'Dazzling Display' p 14-15,(ill.) |
1996 February | |
Richard Cork | |
'Regiments of Colour in Close Combat', The Times, p 35, (ill) |
1996 Feb 9 | |
Brian Sewell | |
Bridget Riley, ES Magazine, p.44 |
1996 | |
Edward Lucie-Smith | |
Visual Art in the 20th Century, published by Laurence King, p 269-270 (ill.) |
1997 March 15 | |
Michael Bracewell | |
�A plea for painting�, The Guardian, Weekend, pp 13-20, (ill) |
1997 June | |
Frances Spalding | |
Exhibition Reviews, The Burlington Magazine, pp 417-418 (ill) |
1998 Nov 11 | |
Isabel Carlisle | |
'Four Decades of a Life Lived in the Abstract', The Times |
1998 Nov 15 | |
Laura Cumming | |
'Riley, Ace of Stripes', The Observer Review (ill) |
1998 Nov 17 | |
Alfred Hickling | |
'The Life of Riley', The Guardian, p 10 (ill) |
1998 Nov 17 | |
Tom Lubbock | |
'Here's One in Your Eye', The Independent, Review p 11 (ill) |
1998 Nov 21 | |
John Spurling | |
'A World Outside', The Spectator, pp 60/61 (ill) |
1998 Nov 28 | |
Lynn MacRitchie | |
'Intimate Display of a Dazzling Talent', The Financial Times, p8 (ill) |
1998 December | |
Martin Gayford | |
'Zebra Crossing', Harpers & Queen, p 62 (ill) |
1998 Dec | |
David Thompson | |
'She's a Dedicated Follower of Abstraction' interview, The Times (ill) |
1998 Dec 28 | |
Martin Gayford | |
'Puzzled by the Life of Riley', The Daily Telegraph, p 15 (ill) |
1999 June | |
Drusilla Beyfus | |
'Breaking the Code' Vogue, pp 190-195 (ill) |
1999 June 12 | |
Richard Cork | |
'Her Brilliant Career', The Times Magazine, pp 16-24 (ill) |
1999 June 16 | |
Robin Dutt | |
'Top of the Ops', What's On in London, pp 8-9 (ill) |
1999 June 20 | |
Laura Cumming | |
'There's a Pattern to It', The Observer, (ill) |
1999 June 22 | |
Richard Ingleby | |
'Between Heaven and a Headache', The Independent (ill) |
1999 June 22 | |
Adrian Searle | |
'Eyes Wide Open', The Guardian, pp 10-11 (ill) |
1999 June 23 | |
Richard Cork | |
'Dazzled by the Life of Riley', The Times (ill) |
1999 June 23 | |
Richard Dorment | |
'It all Depends How You Look at It", The Telegraph, p 20 (ill) |
1999 June 26/27 | |
William Packer | |
'The Subtle Charm of Optical Illusion' Weekend Financial Times, p VI, (ill) |
1999 June 27 | |
Waldemar Januszczak | |
'Is there More than Meets the Eye', The Sunday Times, pp 12-13 (ill) |
1999 June 27 | |
Charles Darwent | |
'Stars and Stripes in your Eyes', The Independent on Sunday, p 7 (ill) |
1999 June 27 | |
Martin Gayford | |
'If it Makes you Sea-sick, it's Good', The Sunday Telegraph, Review p 9 (ill) |
1999 June 30-July 7 | |
Sarah Kent | |
'Op of the Pops?', Time Out, p 54 (ill) |
1999 July 1 | |
Brian Sewell | |
'A Persistent Case of Stripes Before the Eyes', Evening Standard, pp 34-35 (ill) |
1999 August 28 | |
Aidan Dunne | |
�She Wears it Well�, Irish Times (ill) |
1999 September | |
Alex Farquharson | |
'Bridget Riley: Serpentine Gallery', Art Monthly No 229, pp35-37 (ill) |
1999 September | |
John Spurling | |
�In My Own Way, Yes�, Modern Painters, pp34-38 (ill) |
1999 September | |
Simon Morley | |
review of Serpentine exhibition], Burlington Magazine, pp561-563 (ill) |
1999 September | |
review of �The Eye�s Mind], London Review of Books |
1999 September 6 | |
Hans-Peter von D�niken | |
�Ein Erdbeben im Wahmehmunskanal�, Tages Anzeiger p53 (ill) |
1999 December 8 | |
Georg Imdahl | |
�Wille zur Welle�, Frankfurter Allgemeine Zeitung (ill) |
1999 December 15 | |
Magdalena Kr�ner | |
�Netzhaut Boogie�, Die Tagezeitung |
2000 May | |
group photograph at Tate Modern], Vogue, pp184-185 |
2000 August 27 | |
Michael Kimmelman | |
�Modern Op�, New York Times Magazine, pp 44-48 (ill) |
2000 September | |
Lynn Macritchie | |
�Long Live Britain�s Queen of Op Art: Bridget Riley�, Elle D�cor (ill) |
2000 September | |
William Feaver | |
�Dangerous Curves� ARTnews, pp116, 118 + cover (ill) |
2000 October | |
Alex Coles | |
�Bridget Riley at Waddinton� Art in America, p179 (ill) |
2000 October 24 | |
Kim Levin | |
�Fuzzy Logic�, Village Voice, p79 (ill) |
2000 October 30 | |
Mario Naves | |
�Why Bridget Riley? And Why now?�, The New York Observer, p19 |
2000 November 6 | |
Peter Schjeldahl | |
�British Flash: Having Fun with Bridget Riley and Damien Hirst�, New Yorker, pp104-106 (ill) |
2000 November 25 | |
Christopher Knight | |
�Seeing the Top of the Op Artists�, Los Angeles Times, pF18+ (ill) |
2000 December | |
Barry Schwabsky | |
�Bridget Riley / Wojciech Fangor�, Artforum, p140 (ill) |
2000 December | |
Ann Landi | |
ARTnews, p154 (ill) |
2000 December | |
Robert Rosenblum | |
�Best of 2000 Bridget Riley / Wojciech Fangor�, Artforum International, p140 (ill) |
2002 January 12/13 | |
Mark Irving | |
�Return of the Thinking Eye�, Financial Times, pVI (ill) |
2003 May 31 | |
Martin Gayford | |
�Ripple Effect�, The Telegraph Magazine, pp39-42 (ill) |
2003 June 7 | |
Lucy Fisher | |
�Eye Candy, Mind Games� Time Magazine, (ill) |
2003 June 23 | |
Lynne MacRitchie | |
�Artist Still Living the Life of Riley�, Financial Times, p15 (ill) |
2003 June 24 | |
Adrian Searle | |
�Do Not Adjust your Eyes� Guardian, pp12-14 (ill) |
2003 June 25 | |
Rachel Campbell-Johnson | |
�The Queen of Motion Pictures�, The Times (T2), pp13-15 (ill) |
2003 June 25 | |
Richard Cork | |
�The Talented Ms Riley�, The Times (T2), p15 |
2003 June 25 | |
Tom Lubbock | |
�In the Eye of the Storm�, The Independent, p15 (ill) |
2003 June 27 | |
Brian Sewell | |
�Grande Dame of Jabberwockey�, Evening Standard, p32 (ill) |
2003 June 29 | |
Philip Hensher | |
�To Beautiful for ud to Bear�, Mail on Sunday, p65 (ill) |
2003 June 29 | |
Martin Gayford | |
�Retina Vibrator�, Sunday Telegraph |
2003 June 29 | |
Waldemar Januszczak | |
Sunday Times Review, pp14-15 (ill) |
2003 June 29 | |
Charles Darwent | |
�Give �em the Old Razzle Dazzle�, Independent on Sunday, p29 (ill) |
2003 June 29 | |
Laura Cumming | |
�Enigmatic Variations�, Observer Review, p10 (ill) |
2003 July | |
John Tusa | |
�A Colourful History�, Harpers and Queen, pp104-109 (ill) |
2003 July | |
Martin Gayford | |
�Pitching Opposites�, Modern Painters, pp32-35 (ill) |
2003 July 2 | |
Richard Dorment | |
�Dizzy Heights� , Daily Telegraph, p19 (ill) |
2003 July 2 | |
William Packer | |
�Artist has Earned Her Stripes�, Financial Times, p15 (ill) |
2003 July 5 | |
Andrew Lambirth | |
�Brilliant Power�, The Spectator, p43 (ill) |
2003 July 14 | |
Richard Cork | |
�Ever-Increasing Circles�, New Statesman, pp42-43 (ill) |
2003 July 16-23 | |
Sarah Kent | |
�Passing Impressions�, Time Out, (ill) |
2003 July | |
Richard Cork | |
�Moving with the Times�, Art Review, pp58-61 |
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Tel: +44 (0) 20 7734 9002 | Fax: +44 (0) 20 7734 9008 | [email protected]
Copyright 2005 © Karsten Schubert, Bridget Riley, the photographers
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