|
|
| Biography: |
| Born: 1948, Blackburn, Lancashire |
| Lives and works in London |
|
Education: |
| 1967-68 | |
Nottingham College of Art |
| 1968-71 | |
Ravensbourne College of Art and Design, Bromley, Kent |
| 1971-73 | |
Royal College of Art, London |
|
Nominations, Fellowships and Public Sculpture Commissions: |
| 1992 | |
Nominated for Turner Prize |
| 1998 | |
Henry Moore Fellowship for The British School at Rome |
| 1999 Sept | |
Installation of floating sculpture Ambit, River Wear, Sunderland |
| 1999/2000 | |
Commissioned by Simmons & Simmons to make a sculpture for their London headquarters |
| 2003 | |
Commissioned by Snape Maltings, Aldeburgh to make a sculpture for their grounds |
| 1970 | |
Young Friends of the Tate Gallery, Pear Place, London |
| 1976 | |
AIR Gallery, London |
| 1982 | |
Kettles Yard Gallery, Cambridge |
| 1983 | |
Salvator Ala Gallery, New York |
| 1985 | |
Salvator Ala Gallery, Milan |
| | |
Serpentine Gallery, London |
| 1986 | |
Salvator Ala Gallery, New York |
| 1987 | |
Galleri Lang, Malm', Sweden |
| |
Karsten Schubert Ltd, London |
| 1987-88 | |
Projects: Museum of Modern Art, New York |
| 1988 | |
Gallerie Wanda Reiff, Maastricht, Holland |
| |
Asher/Faure, Los Angeles, CA |
| 1988-89 | |
Karsten Schubert Ltd, London |
| 1989 | |
Hirschl & Adler Modern, New York |
| 1989 | |
Moderna Galerija Ljubljan, Mala Galerija Yugoslavia |
| 1990 | |
Karsten Schubert Ltd, London |
| 1991 May - Aug | |
'Alison Wilding: Immersion - Sculpture from Ten Years', Tate Gallery, Liverpool |
| 1991 June - Aug | |
'Alison Wilding: 'Exposure' - New works made at the Henry Moore Sculpture Trust Studio' Dean Clough, Halifax |
| 1992 Feb/March | |
'Recent Sculptures', Asher Faure Gallery, Los Angeles |
| 1993 March/June | |
'Alison Wilding: Bare', Newlyn Art Gallery, Penzance, Cornwall and Ikon Gallery, Birmingham |
| 1993 April/May | |
'Recent Sculptures', Karsten Schubert Ltd, London |
| 1993/4 | |
'Alison Wilding: Exposure', Tate Gallery, St Ives, Cornwall |
| 1994 Jan/July | |
'Alison Wilding: Ambit', Mattress Factory, Pittsburgh |
| 1994 April/June | |
'Air and Angels' (with Anthony Gormley), I T N Building, London (organized by the Contemporary Art Society, London) |
| 1995 Jan/Feb | |
'Alison Wilding: Sculptures and Etchings', Karsten Schubert, London |
| 1995 Oct/Nov | |
'Alison Wilding: Echo', Angel Row Gallery, Nottingham |
| 1996 March/April | |
'Alison Wilding: Echo', Karsten Schubert, London |
| 1996 March | |
�Alison Wilding: Harbour�, Alison Wilding�s studio, London |
| 1996 April/May | |
'Alison Wilding: Echo', Douglas Hyde Gallery, , Dublin |
| 1996 June/Sep | |
'Alison Wilding: Sculptures', Musee des Beaux-Arts et Dentelles de Calais, Calais |
| 1997 Feb/March | |
�Alison Wilding: Ambit�, Panns Bank Public Art Project, Civic Centre, Sunderland |
| 1997 April | |
�Alison �Wilding�, Orangery Gallery, New Art Centre Sculpture Park at Roche Court, Wiltshire |
| 1997 Oct/Dec | |
'Alison Wilding: Sculptures', Abbot Hall Museum and Art Gallery, Kendall |
| 1997 Nov/Jan 1998 | |
'Alison Wilding: Territories', The Edmonton Art Gallery , Edmonton AB (Canada) |
| 1998 Feb/April | |
'Alison Wilding: Territories', Art Gallery of York University. North York (Canada) |
| 1998 June/Aug | |
'Alison Wilding, Two Sculptures', arTranspennine'98: Chapel of St John the Evangelist, Skipton Castle, Skipton, Yorkshire |
| 1998 Nov/Dec | |
'Alison Wilding' Robert Miller Gallery, New York |
| 1998 Nov/ 1999 Jan | |
'Grounded', Northern Gallery For Contemporary Art, Sunderland |
| 2000 June/Aug | |
�Alison Wilding: New Sculptures�, New Art Centre, Roche Court, Wiltshire |
| 2000 Oct/ Jan 2001 | |
�Contract�, The Henry Moore Foundation studio, Dean Clough, Halifax |
| 2002 Feb/April | |
�Template Drawings�, Karsten Schubert, London |
| 2003 | |
�Alison Wilding�, Peter Pears Gallery and Snape Maltings, Aldeburgh |
| 1973 | |
Clare Court, Trinity College, Cambridge |
| 1975 | |
SPACE Open Studios, London |
| 1977 | |
Riverside Studios, London |
| 1979 | |
New Sculpture: Ikon Gallery, Birmingham |
| |
55 Wapping Artists: London |
| 1980 | |
Eight Woman Artists: Acme Gallery, London |
| |
Whitechapel Open: Whitechapel Art Gallery, London |
| |
Wapping Artists Open Studios: London |
| 1981 | |
G.L.A.A. Awards 1981: Woodland Art Gallery, London |
| |
Wapping Artists 1981: London |
| 1982 | |
Whitechapel Open: Whitechapel Art Gallery, London |
| |
Le Sculpture/La Sculpture: Eton College, Windsor |
| |
Wapping Artists Open Studio Exhibition: London |
| |
Collazione Inglese: Scuola di San Pasquale, Venice |
| |
Scuplture in the Garden: Camden Arts Centre, London |
| |
XVII Paris Biennale, Paris |
| |
St Pauls Gallery, Leeds |
| 1983 | |
Figures and Objects: John Hansard Gallery, University of Southampton, Southampton |
| |
Whitechapel Open: Whitechapel Art Gallery, London |
| |
Tolly Cobbold/Eastern Arts 4th National Exhibition (prize winner): Fitzwilliam Museum, Cambridge, & tour |
| |
The Sculpture Show: Arts Council of Great Britain; fifty sculptors at the Serpentine and South Bank Galleries, London |
| |
Transformations: New Sculpture from Britain: XVII Biennale de Sao Paulo; Museo de Arte Moderna, Rio de Janiero; Museo de Arte Moderna, Mexico; Fundacoa Calouste Gulbentian, Lisbon |
| 1984 | |
Collazione Inglese: Scuola di San Pasquale, Venice |
| |
The British Art Show: Arts Council of Great Britain, touring Birmingham, Edinburgh, Sheffield and Southampton |
| 1985 | |
The British Show: Art Gallery of Western Australia; Art Gallery of New South Wales; Queensland Art Gallery, Australia; National Gallery, Wellington, New Zealand |
| |
10 Years at AIR: AIR Gallery, London |
| |
Nuove Trame dell'Arte: Castello Colona, Genazanno, Italy |
| |
Anniottanta: Galleria Comunale d'Arte Moderna, Bologna (Chiostri della Loggetta, Lombardesca, Ravenna section) |
| |
Synonyms for Sculpture: Neue Galerie am Laudesmuseum, Joannuem, Graz, Austria |
| |
The Irish Exhibition of Living Art: Guinness Hop Store, Dublin |
| 1986 | |
Burnett Miller Gallery, Los Angeles, CA |
| |
Between Object and Image: Ministerio de Cultera and The British Council, Palacio de Valasquez, Madrid; Fundacion de Pensiones Barcelona; Mus�o de Bellas Artes, Bilbao |
| |
Sculpture: Nine Artists from Britain: Louisiana Museum of Modern Art, Humlebaek, Denmark |
| |
Art and Alchemy: Venice Biennale XLII, Venice |
| |
Prospect '86: Frankfurter Kunstvereins im Steinernen Haus und der Shirn am Romerberg, Frankfurt, Germany |
| |
Jeffrey Dennis, Alan Green, Alison Wilding: Third Eye Centre, Glasgow |
| |
Third Generation Women: Canterbury Fringe Festival, 2Canterbury |
| |
Domenico Bianchi, Anthony Gormley, Roberto Pace, Alison Wilding: Gelleria Salvatore Ala, Milan |
| 1987 | |
Casting an Eye: Co-selected with Richard Deacon; Cornerhouse, Manchester |
| |
Current Affairs: British Painting and Sculpture in the 1980's: Museum of Modern Art, Oxford, & toured by the British Council to Mucsarnok, Budapest; Narodni Galerie, Prague; Zecheta, Warsaw |
| |
Art Brittiskt 1980 - Tal: Liljevalchs Kunsthall, Stockholm; Sarah Hild�n Museum, Tampere, Finland |
| |
Beelden en Banieren: Fort Asperen, Acquoy, Netherlands |
| |
Atlantic Sculpture: Art Centre, College of Design, Pasadena, CA |
| |
Viewpoint-British Art of the 80's: Museum of Modern Art,Musees Royaux de Beaux Arts de Belgique, Brussels |
| |
Edinburgh International: Reason and Emotion in Contemporary Art: Royal Scottish Academy, Edinburgh |
| |
Lead: Hirschl and Adler Modern, New York |
| 1988 | |
British Art - The Literate Link: Asher/Faure, Los Angeles, CA |
| |
All That Matters: Alison Wilding, Tom Dean, Remo Salvadori, Richard Deacon: Art Gallery of Windsor, Canada; Mendel Art Gallery, Saskatoon; Saidye Bronfman Centre, Montr�al |
| |
Roche Court Sculpture Garden, Salisbury |
| |
Starlit Waters: British Sculpture, An International Art: Tate Gallery, Liverpool |
| |
Brittanica: 30 Ans de Sculpture: Mus�e des Beaux Artes Andr� Malraux, Le Havre; L'Ecole D'Architecture de Normandie, Darn�tal; Mus�e D'�vrex, Ancien �veche, �vreux; Museum Van Hedendaagse Kunst, Antwerp |
| |
Vanitas: Norwich School of Art Gallery, Norwich, Norfolk; Tri-annual exhibition curated by Marjorie Allthorpe-Guyton |
| |
British Now - Sculpture et Autres Dessins: Musee d'Art Contemporain de Montreal, Montreal |
| |
Cinquiemes Ateliers Internationaux des Pays de la Loire: Abbaye Royale de Fontevraud, France |
| 1989 | |
Istanbul, 2nd Biennale, September-October: Istanbul, Turkey |
| 1990 | |
Now For The Future: Purchases for the Arts Council Collection since 1984: Hayward Gallery, London |
| |
Rebecca Horn, Willi Kopf, Richard Long, Alison Wilding: Centre d'art Contemporain du Domaine de Kerguehennec |
| 1991 May - July | |
'Pulsio: Louise Bourgeois, Pepe Espaliu, Alison Wilding': Fundacio "La Caixa", Barcelona |
| 1991 July-Sept | |
'The Lick of the Eye', curated by David Pagel: Shoshana Wayne Gallery, Santa Monica, CA |
| 1992 Feb/April | |
Fifth Anniversary Exhibition, Karsten Schubert Ltd, London |
| 1992 May/Sept | |
New Art Centre Sculpture Garden at Roche Court 1992, East Winterslow, nr Salisbury, Wiltshire |
| 1992 Aug | |
'Summer Group Show: Robert Barry, Keith Coventry, Angus Fairhurst, Gary Hume, Michael Landy, Stephen Prina, Bridget Riley, Rachel Whiteread and Alison Wilding', Karsten Schubert Ltd, London |
| 1992 Aug | |
Whitechapel Open '92, Whitechapel Art Gallery, London |
| 1993 Feb | |
'Traces of the Figure', City Museum and Art Gallery Hanley, Soke on Trent; Cartwright Hall, Stoke-on-Trent |
| 1992 Nov | |
'1992 Turner Prize Exhibition: Grenville Davey, Damien Hirst, David Tremlett and Alison Wilding', Tate Gallery London |
| 1993 Jan/March | |
'In Site - New British Sculpture', The National Museum of Contemporary Art, Oslo |
| 1993 Apr/June | |
'Inad'vertently: Stuart Arends, Judy Fiskin, Llyn Foulkes, Steve Gianakos, Maxwell Hendler, Barbara Kruger, Allan McCollum, Gwynn Murrill, Ellen Phelan, Alison Wilding', Asher Faure Gallery, Los Angeles CA |
| 1993 May | |
'Group Show: Keith Coventry, Michael Landy, Bridget Riley, Rachel Whiteread and Alison Wilding', Karsten Schubert Ltd, London |
| 1993 June/July | |
'Edward Allington, Tony Cragg, Julian Opie and Alison Wilding', Connaught Brown Gallery, London |
| 1993 June/Aug | |
'Made Strange: New British Sculpture', Museum Ludwig, Budapest |
| 1993 June | |
'Then and Now: Twenty-Three Years at the Serpentine Gallery', Serpentine Gallery, London |
| 1993 June | |
'Five Works: Keith Coventry, Michael Landy, Bridget Riley, Rachel Whiteread and Alison Wilding', Karsten Schubert Ltd, London |
| 1993 June/July | |
�Hindsight: Selected works made for the Henry Moore Sculpture Trust Studio 1989-93�, Jannis Kounellis, Richard Long, Guiseppe Penone, Ulrich R�ckriem, Lawrence Weiner and Alison Wilding; The Henry Moore Sculpture Trust Studio, Dean Clough |
| 1993 Nov/ | |
'Camaras de Friccon: Juan Usle, Pedro Cabrita Reis, Sophie Calle, Aliosn Wilding' Galeria |
| 1994 Jan | |
Luis Adelantado, Valencia |
| 1993/ 1994 | |
'Recent British Sculpture', Arts Council touring exhibition (Derby, City Museum and Art Gallery; Edinburgh, Scottish National Gallery of Modern Art; London, Royal Festival Hall; Coventry, Mead Art Gallery and Herbert Art Gallery; Hull, Ferens Art Gallery; Llandudno Oriel Mostyn; Eastbourne, Tower Art Gallery; Bournmouth, Russell-Cotes Museum and Art Gallery; Bath, Victoria Art Gallery; Plymouth, City Museum and Art Gallery; Aberyswith Arts Centre) |
| 1994 March/April | |
'A Group Show: Keith Coventry, Peter Davis, Anya Gallaccio, Zebedee Jones, Bridget Riley and Alison Wilding', Karsten Schubert, London |
| 1995 June/July | |
'Then and Now', Serpentine Gallery, London |
| 1995 May/October | |
Roche Court Outdoor Sculpture Exhibition 1995, New Art Centre, East Winterslow Wiltshire |
| 1995 May/October | |
'British Art of the 80s and 90s: The Weltkunst Collection', Irish Museum of Modern Art, Dublin |
| 1995 June/Nov | |
British Contemporary Sculpture: From Henry Moore to the 90s'' , Auditoria de Galicia, Compostela and Fundacio de Serralves, Porto |
| 1995 June/July | |
'Here & Now', Serpentine Gallery, London |
| 1995 June/August | |
'Decadence', Trondhjems Kunstforening, Norway |
| 1995 Aug/Sep | |
'British Abstract Art, Part 2: Sculpture', Flowers East Gallery, London |
| 1995 Aug/Sep | |
Summer Group Show, Karsten Schubert, London |
| 1995 Aug/Sep | |
'Natural Settings', Chelsea Physic Garden, London |
| 1996 | |
'Between the Sheets', ARCO, Stand AO13, Ediciones Beneveniste Relatores, Madrid, Spain |
| 1996 March/May | |
Cleveland Drawing Biennale, Cleveland |
| 1996 August/Sep | |
'Plastic', Richard Salmon , London |
| 1996 Aug/Sep | |
''British Abstract Art III: Works on Paper', Flowers East, London |
| 1996 Sep/Nov | |
'From Figure to Object: A Century of Sculptors' Drawings, Frith Street Gallery and Karsten Schubert, London |
| 1996 Sep/Oct | |
'Orte des Moglichen: Weibliche Positionen in der Bildenden Kunst', Hypobank International SA, Luxembourg |
| 1996 Oct/Nov | |
'Orte des Moglichen: Weibliche Positionen in der Bildenden Kunst', Achenbach Kunsthandel, Dusseldorf |
| 1997 Jan | |
'Plastic', Arnolfini Gallery, Bristol |
| 1997 Jan/March | |
'Marking Presence', ArtSway, Lymington (Hampshire) |
| 1997 Jan/Feb | |
Group Show, Karsten Schubert, London |
| 1997 March | |
'Building Site' (Fernando Arias, Christine Borland, Melanie Counsel, Douglas Gordon, Shona Illingworth, Elizabeth Le Moin, Cornellia Parker, Jonathan Parsons, David Ward, Richard Wentworth, Alison Wilding), Architectural Association School of Architecture, London |
| 1997 April/July | |
'Material Culture:The Object in British Art of the 1980's and '90s', Hayward Gallery, London |
| 1997 July/Aug | |
'Plastic', Walsall Museum and Art Gallery, Walsall |
| 1997 Sep/Oct | |
'Plastic', Richard Salmon Gallery. London |
| 1998 | |
'Interactive', Amaranda Hess, London |
| 1998 March/April | |
'Drawing Itself', The London Institute, London |
| 1998 March/June | |
'The Edward R Broida Collection: A Selection of Works', Orlando Museum of Art, Orlando |
| 1998 Nov/ Feb 1999 | |
'Forjar el Espacio. La escultura forjada del siglo XX' Centro Atlantico de Arte Moderno, Gran Canaria, Spain |
| 1998 Nov/ May1999 | |
'Thinking Aloud' National Touring Exhibition for the Arts Council of England, curated by Richard Wentworth (Kettle's Yard, Cambridge; Cornerhouse, Manchester; Camden Arts Centre, London) |
| 1999 Nov/Feb 2000 | |
�At Home with Art� National Touring Exhibition, first exhibited at the Tate Gallery, London |
| 2000 April | |
Robert Hopper Memorial Exhibition, Yorkshire Sculpture Park |
| 2000 May/July | |
�Sculpture, an Abbey and a Cathedral�, Gloucester Cathedral, Gloucester |
| 2000 July/Sept | |
�Sculpture, an Abbey and a Cathedral� Malmesbury Abbey and Abbey House Gardens, Wiltshire |
| 2000 July/August | |
�Sculpture and the Divine�, The Henry Moore Foundation, Winchester Cathedral |
| 2002 Feb/April | |
�Pure Containment � Sculptures from the Arts Council Collection�, Orleans House Gallery, |
| |
Twickenham |
| 2003 Jan/March | |
�Nightwood� (Ansuya Blom, Kate Davis, Ana Hatherly, Mandy Ure, Alison Wilding), Rhodes & Mann Gallery, London |
|
Selected Bibliography: |
| Catalogues Published for Group Exhibitions: |
| 1979 | |
Hugh Stoddart: 'New Sculpture', Ikon Gallery, Birmingham |
| |
Fenella Crichton: 'Eight Women Artists', Acme Gallery, London |
| 1982 | |
David Brown: 'Collazione Inglese', Scuola di San Pasquale, Venice |
| |
Shelagh Wakely: 'Sculpture in the Garden', Camden Arts Centre, London |
| |
Andrea Rose: XII Biennale de Paris |
| 1983 | |
Michael Newman: 'Figures and Objects', John Hansard Gallery, London |
| |
'The Sculpture Show', Arts Council of Great Britain |
| |
John McEwen: 'Transformations', catalogue for the exhibition at the Biennale di Sao Paulo and the Museu de Arte Moderna, Rio de Janiero |
| |
Fenella Crichton: 'Fifty Sculptors at the Serpentine & the South Bank', catalogue for the exhibition at the Haywood & Serpentine Galleries, London |
| 1983/4 | |
Marjorie Allthorpe-Guyton: 'The British Art Show', catalogue for touring exhibition at the City of Birmingham Museum & Art Gallery, The Royal Scottish Academy, The Mappin Art Gallery & The Southampton Art Gallery |
| 1985 | |
Jeremy Lewison: 'The British Show', catalogue for the touring exhibition at the Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney; Queensland Art Gallery, Brisbane, & The National Gallery of New Zealand, Wellington |
| |
Achille Bonito Oliva: 'Nuove Trame dell'Arte', catalogue for the exhibition at Castello Colonna, Genezzano, Italy |
| |
Renato Barilli & Flavio Caroli: 'Anniottanta', catalogue for the exhibition at Bologna, Imola, Rimini & Ravenna, Italy |
| |
Martin Kunz: 'Synonyms for Sculpture', catalogue for the exhibition at the Neue Galerie am Landesmuseum, Graz, Austria |
| |
Carmen Giminez: 'Entre El Objecto y La Imagen', British Council, Madrid |
| |
Arturo Schwartz: 'Art & Alchemy', part of 'Art & Science', Venice Biennale, Venice |
| |
Lynne Cooke: Louisiana Revy, published to coincide with 'Sculpture, 9 Artists from Britain', at Louisiana Museum of Modern Art, Humleaeck, Denmark |
| |
Peter Weiermair: 'Prospect '86', Frankfurt Kunstverein |
| 1987 | |
Lynne Cooke: 'Art Brittiskt 1980 - Tal', Liljevalchs Konsthall, Stockholm / British Council |
| |
Catherine Lampert: 'Reason and Emotion in Contemporary Art', Edinburgh International, Royal Scottish Academy, Edinburgh |
| 1988 | |
Gregory Salzman: Richard Deacon, Tom Dean, Remo Salvatori, Alison Wilding; Art Gallery of Windson, Canada ('All That Matters') |
| |
Lynne Cooke: 'British Art: The Literate Link', Asher-Faure, Los Angeles, CA |
| |
Lynne Cooke: 'Starlit Waters, British Sculpture, Gan Inter national Art', Tate Gallery, Liverpool |
| |
Marjorie Allthorpe-Guyton: 'Vanitas', Norwich School of Art Gallery, Norwich |
| |
Sandra Grant Marchand: 'British Now - Sculpture & Other Drawings', Musee d'Art Contemporain de Montreal, Montreal |
| |
Arielle Pelenc: 'Cinquiemes Ateliers Internationaux des Pays de la Loire', Abbaye Royale de Fontevraud, France |
| |
'Seri�s', Wanda Reiff Gallery, Maastricht, Holland |
| |
Catherine Lampert: 'Brittania - 30 Ans de Sculpture', Mus�e des Beaux-Artes Andr� Malraux, Le Havre, France |
| |
Hayward Galley 'Now For The Future': Purchases for the Arts Council Collection since 1984 |
| 1989 | |
Marco Livingstone: 'British Object Sculptors of '80s II', Kyoto Shoin International Co Pulisher, Kyoto |
| 1991 | |
Juan Vicente Aliaga: 'Pulsio: Louise Bourgeois, Pepe Espaliu, Alison Wilding, Fundacio 'la Caixa', Barcelona |
| 1993 | |
'Recent British Sculpture', Arts Council exhibition catalogue |
| |
�Hindsight: Selected works made for the Henry Moore Sculpture Trust Studio 1989-93�, Jannis Kounellis, Richard Long, Guiseppe Penone, Ulrich R�ckriem, Lawrence Weiner and Alison Wilding; The Henry Moore Sculpture Trust Studio, Dean Clough |
| 1995 | |
'British Art of the 80s and 90s: The Weltkunst Collection', leaflet, Irish Museum of Modern Art, Dublin (ill) |
| |
'Decadence', Trondhjems Kunstforening, Norway, catalogue (ill) |
| |
'Here and Now', exhibition catalogue, (ill) |
| |
Keith Patrick and Maite Lores: 'Contemporary British Sculpture: From Henry Moore to the 90s', exhibition catalogue, Auditorio de Galicia, Santiago de Compostela and Fundacio de Serralves, Porto (ill) |
| |
'Drawing In All Directions, exhibition catalogue Cleveland International Drawing Biennale, Cleveland (essay by Penelope Curtis) (ill) |
| 1996 | |
'Richard Shone: From Figure to Object: A Century of Sculptors' Drawings, exhibition catalogue, Frith Street Gallery and Karsten Schubert, London 1996 (ill) |
| |
Katharina Hegewisch (ed): 'Orte des Moglichen: Weibliche Positionen in der zeitgenossischen Kunst', exhibition catalogue, Hypobank International S A, Luxembourg and Achenbach Kunsthandel, Dusseldorf (ill) |
| 1997 | |
Neal Cummings and Joan Key (essays), 'Plastic', exhibition catalogue, Richard Salmon Gallery, London |
| 1998 | |
Sue Scott (Ed): 'The Edward R Broida Collection: A Selection of Works', exhibition catalogue, Orlando Museum of Art, Orlando |
| 1998 | |
tate magazine 'artranspennine98' (exhibition guide) |
| 1998 | |
Richard Wentworth's Thinking Aloud; exhibition catalogue (essay by Nick Groom) National Touring Exhibitions |
| 1999 | |
Colin Painter �At Home with Art� Hayward Gallery Publishing |
|
Catalogues published for one person exhibitions: |
| 1985 | |
Lynne Cooke: 'Alison Wilding', Serpentine Gallery, London |
| 1987 | |
Gray Watson: 'Alison Wilding: Sculptures', Karsten Schubert Ltd, London |
| 1988 | |
Marjorie Allthorpe-Guyton: 'Alison Wilding: Sculptures 1987/88', Karsten Schubert Ltd, London |
| 1989 | |
Marjorie Allthorpe-Guyton: 'Alison Wilding', Hirschl & Adler Modern, New York |
| 1991 | |
Greg Hilty: 'Alison Wilding: Immersion - Sculpture from Ten Years', Tate Gallery, Liverpool |
| 1993 | |
Hilary Gresty: 'Alison Wilding: Bare', Newlyn Art Gallery, Penzance, Cornwall |
| 1994 | |
Mike Tooby: 'Alison Wilding', Tate Gallery St Ives, Cornwall |
| 1995 | |
Victoria Pomery (ed): 'Alison Wilding: Echo', exhibition catalogue, Angel Row Gallery and Karsten Schubert Contemporary Art Ltd, Nottingham and London (essay by Brian Catling |
| 1996 | |
Annette Haudiquet (ed): 'Alison Wilding: Sculptures 1989-1996', exhibition catalogue, Musee des Beaux-Arts et de la Dentelle de Calais, Calais (with an essay by Penelope Curtis) |
| 1997 | |
Paul Bonacentura: 'Alison Wilding: Intensities', exhibition catalogue, Abbot Hall Art Gallery and Museum, Kendal |
| 1997 | |
'Alison Wilding: Territories', exhibition catalogue, Edmonton Art Gallery and Art Gallery of York University |
| 1998 | |
'Alison Wilding: Grounded', exhibition catalogue, Northern Gallery for Contemporary Art, Sunderland |
| 1980 | |
Michael Newman | |
'Eight Women Artists: 1980', Arts Review, July 11th |
| 1982 | |
Michael Newman | |
'New Sculpture in Britain', Art in America, September |
| 1984 | |
Kenneth Baker | |
'Alison Wilding at Salvatore Ala', Art in America, March |
| 1984/5 | |
Nena Dimitrijevic | |
'La Sculpture Apres L'Evolution', Flash Art, Winter, no 6 |
| 1985 | |
William Packer | |
Financial Times, April 16th |
| |
William Feaver | |
The Observer, April 21st |
| |
Richard Cork | |
'Precarious Poise', The Listener, April 25th |
| |
Marina Vaizey | |
The Sunday Times, April 28th |
| |
Victoria Lyn | |
'Six British Sculptors', Art In Australia |
| |
Nena Dimitrijevic | |
'Alison Wilding at the Serpentine' Flash Art International, Summer, no 123 |
| |
Maria Luisa Agnese & Rachele Enriquez: | |
'Ma se siamo solo a meta', Panorama, June 9th |
| |
| |
'Due obiettivi Puntati sugli artisti di oggi', La Provincia di Como, June 27th |
| |
Antonio d'Avossa | |
'Le Trame del Castello', Flash Art International, no 128 |
| |
Massimo Kaufman | |
'Ala vola con la Wilding', Viva Milano, September 9th |
| |
Luisa Somaini | |
'Alison Wilding', in Tutto Arte, La Repubblica, September 27th |
| |
| |
'Alison Wilding', La Repubblica, October 2nd |
| |
| |
'Alison Wilding' in Fine Secolo, Reporter, October 4th |
| |
G Manfredini | |
'Alison Wilding', L'Expresso, October 10th |
| |
Maurizio Calvesi | |
'Come'ere 'in' la Pop Art', L'Expresso October 7th |
| |
Peppo Peduzzi | |
'Alison Wilding', Il Giornale dell'Arte, no 27, October |
| |
Ricardo Barletta | |
'Alison Wilding', Corriere della Sera, October 30th |
| |
| |
'Alison Wilding', Grazia, November |
| |
Massimo Kaufmann | |
'Alison Wilding', Flash Art International, no 129, November |
| 1986 | |
Barbara Maestri | |
'Alison Wilding', Artforum, February |
| |
Lynne Cooke | |
'Alison Wilding: Sailing On', Artscribe, no 57 |
| |
Jene Silverthorne | |
'Alison Wilding at Salvator Ala', Artforum, Summer |
| |
Clare Henry | |
Arts Review, September |
| 1987 | |
Richard Cork | |
'Making Space', The Listener, May 7th |
| |
Marjorie Allthorpe-Guyton | |
Reviews, Flash Art, no.136 |
| |
William Feaver | |
'Alison Wilding', Vogue, April |
| |
William Packer | |
Financial Times, April 28th |
| |
Andrew Graham-Dixon | |
Harpers and Queen, May |
| |
Sarah Jane Checkland | |
'In the Eye', London Daily News, May 8th |
| |
Mary Rose Beaumont | |
'Alison Wilding', Arts Review, May 8th |
| |
John Russell | |
'Alison Wilding, Sculptor at the Modern', New York Times November 27th |
| 1988 | |
Colin Gardner | |
'Art as a Metaphor: Wilding Illustrates Political Beliefs |
| |
Steven Appleton | |
'A Question of Naming', Artweek |
| |
Cathy Curtis | |
Los Angeles Times |
| 1989 | |
John Russell | |
New York Times, April 7th |
| |
Buzz Spector | |
Artcoast, March/April, pp 84-85 |
| |
Kate Bush | |
Flash Art, March/April, pp 121-122 |
| |
Peggy Cyphers | |
'Camelot Meets Star Trek: An Interchange of Interior and Exterior', Cover, May, p 13 (ill.) |
| |
Liz Markus | |
Sculpture, July/August pp 37-38 (ill.) |
| |
Greg Hilty | |
Arena, no 1, February pp 104-105 (ill.) |
| |
Amy Gerstler | |
Art Issues, January 1989, no 1 vol 1 (ill.) |
| 1990 | |
Sarah Kent | |
Alison Wilding, Karsten Schubert Ltd: Time Out, November 21-28 no 1057 p 29 (ill) |
| |
Roger Bevan | |
Alison Wilding, Karsten Schubert Ltd: The Art Newspaper, no 2 November 1990 p 25 |
| |
Sachiko Tamashige | |
Alison Wilding, Karsten Schubert Ltd: Nikkei Art, Japan, January 1991 p 137 (ill) |
| |
Richard Dorment | |
'Sculptor with a sense of mystery', Alison Wilding, Karsten Schubert Ltd: The Daily Telegraph, November 7 p 18 |
| |
Fiona Gunn | |
Interview, Agenda 12 Contemporary Art Magazine, Melbourne, Australia, August 1990 |
| 1991 | |
| |
Alison Wilding: Nikkei Art no 1/1991, p 137 (Ill) |
| |
Philip Key | |
Tate mixes Ancient and Modern, Daily Post, Liverpool, May 2, (ill) |
| |
Mary Sara | |
Making imagery accessible, Yorkshire Post, June 24 (ill) |
| |
Gerald Deslandes | |
Alison Wilding at the Tate Gallery Liverpool, Arts Review, June 28, p 336 (ill) |
| |
| |
'Wilding Things': Interview Magazine, June 1991 |
| |
Robert Clark | |
Alison Wilding at the Tate Gallery Liverpool: The Guardian, June 5 |
| |
Richard Cork | |
'Rewards of a mysterious, enigmatic Talent: Alison Wilding in Halifax and Liverpool', The Times, June 26 (ill) |
| |
Tom Lubbock | |
'The material missing link': Alison Wilding at Dean Clough, Halifax. The Sunday Independent, July 7. |
| |
James Hall | |
'Steeling the show': Alison Wilding at Dean Clough, Halifax, and Tate Gallery, Liverpool. The Independent, July 9, (ill) |
| |
Celia Lyttleton | |
'Parcours Britannique': Galleries Magazine, pp 60-63 (ill) |
| |
Marjorie Allthorpe-Guyton | |
'Immersion and Exposure', Artscribe, September, pp 80/81 (ill) |
| 1992 | |
Emmanuel Cooper | |
'Karsten Couch', Time Out Magazine No 1125, March 11-18, p 39 |
| |
Amelia Jones | |
'Alison Wilding at Asher-Faure', Artforum International Vol XXX, No 9,May, pp124/125 (ill) |
| |
Maureen Paley | |
'Turner's Gameplan', Women's Art Magazine No 48, pp 4-6 (ill) (and cover) |
| |
Richard Dorment | |
'Tips For The Turner', The Daily Telegraph, August 12, p 12 |
| |
| |
'Endpieces', Arts Review Magazine, September, p 407 |
| |
Bob Bird | |
'Sensual Sculpture', Evening Sentinel, October 3 |
| |
Richard Cork | |
'On prize-winning form', The Times, October 30, p 37 (ill) |
| |
Bruce Bernard | |
'A Glowing Candidate', The Independent Magazine, October 31, pp 58/59 (ill) |
| |
Rebecca Fortnum | |
'Prize Fighter', The Guardian, October 30, p 13 (ill) |
| |
| |
'Hanging In', The Observer, November 1, p 1 |
| |
Joanna Coles | |
'Sex, Jeans, 36 Dead Fish, a Tank and an Ego Go for Turner Prize', The Guardian, November 4, p 22 |
| |
David Lister | |
'Work in Progress Puzzles as Fish Provide The Fun', The Independent, November 4 (ill) |
| |
Martin Gayford | |
'Has the rot set in?', The Daily Telegraph, November 4, p 18 |
| |
Susan Moore | |
'Sensuous Sculpture', Financial Times, November 6 |
| |
John McEwen | |
'Time to call a busted flush', The Sunday Telegraph, November 8 |
| |
A Guest Reviewer | |
'Striking New Art at the Tate', The New Line, November 9, p 9 (ill) |
| |
Alison Yarrington | |
'I Figure I'm A Woman', Women's Art Magazine No 49, November, pp 1315 (ill) |
| |
Sue Hubbard | |
'The Naked Artist', New Statesman and Society Magazine, November 13, pp 29/30 |
| |
Bill Saunders | |
'Obscure Objects of Desire', Girl About Town Magazine, November 16 |
| |
Brian Sewell | |
'Prize and Prejudice', The Evening Standard, November 19, p 31 |
| |
Tim Hilton | |
'And the winner is...the Hype', The Independent on Sunday, November 22, p 27 (ill) |
| |
Sarah Kent | |
'Turner Bout', Time Out Magazine, November 11-18, pp 24/25 (ill) |
| |
Kate Oldfield | |
'Dead Fish with Asthma, London Student Magazine, November 19, p 9 |
| |
William Packer | |
'A Narrow View of Art', The Financial Times, November 21/22, p XI |
| |
Alison Wilding | |
'Sliding Into Initmacy', The Guardian, November 21, p 18 |
| | |
| |
'The best four?', The Economist Magazine, November 21-27, p 156 |
| |
Eric Bailey | |
'How should we look at it?', The Daily Telegraph, November 23, p 19 |
| |
Philip Hensher | |
'Play the wild card', The Guardian, November 24, pp 4/5 (ill) |
| |
Robin Stringer | |
'Controversy as outsider wins Turner Prize', The Evening Standard, November 25, p 18 |
| |
Philip Hensher | |
'The stuffed fish did't win', The Guardian, November 25, p 5 |
| |
Sarah Kent | |
'The Judge's Verdict', The Guardian, November 25, p 5 |
| |
David Lister | |
'Sculptor triumphs with an industrial vision', The Independent, November 25, p 2 |
| |
Giles Auty | |
'Prize Idiocy', The Spectator Magazine, November 28, p 57 |
| |
| |
'Recent Acquisitions of twentieth-century sculpture by British museums', The Burlington Magazine, December, pp 842- 846 (ill) |
| |
John McDonald | |
'Turner Takes the Flak', Contemporary Art magazine, Vol I, No 1, Winter, pp 66/67 |
| 1993 | |
Hilton Kramer | |
'Cons & Icons', Arts Review Magazine Volume XLV, January, pp 12/13 (ill) |
| |
Robert Clark | |
'Traces of the Figure, Revery, Myth, Sensuality', The Guardian, January 12 |
| |
John Turner | |
'Traces of the Figure/ Reverie, Myth, Sensuality', Northern Star, January 14 |
| | |
Doris Krumpl | |
'Totale Erinnerung', Der Standard, January 8 |
| |
| |
'Britisk skulptur i tiden og rommet', Vart Land, Oslo, February 3 |
| |
George Morgenstern | |
Tiltalende utstilling av britisk skulptur', Astenposten, Oslo, February 9 |
| |
Harald Flor | |
''Britisk Blanding', Dagblad, Oslo, February 11 |
| |
Peter Serk | |
'Materialenes Vesen', Klassenkampen, Oslo, March 18 |
| |
Sarah Kent | |
�The Turner Prize 1992�, Patrons of New Art Newsletter, spring, pp 4-5 |
| |
William Feaver | |
'The Wilding Case', (British) Vogue, April, p 53 (ill) |
| |
Giles Auty | |
'Shock Tactics', The Spectator Magazine, May 1, 1993, pp 42/3 |
| |
Charles Hall | |
'Alison Wilding Just Gets Better and Better...', The Guardian, May 1, p 12 (ill) |
| |
John McEwen | |
'Come Up and See Me Soap the Wife Sometime', Sunday Telegraph, May 2 |
| |
William Feaver | |
'New Life Out of Old Wood', The Observer, May 2 |
| |
Richard Cork | |
'Plane Speaking in Form', The Times, May 7, p 31 (ill) |
| |
Sue Hubbard | |
'Alison Wilding at Karsten Schubert', Time Out Magazine, No 1187, May 19-26, p 38 (ill) |
| |
Richard Salmon | |
'Small and Ravishing', The Spectator Magzine, May 22, p 24 |
| |
| |
special London issue, art Das Kunstmagazin, No 7, July, p 42 (ill) |
| |
John Stathatos | |
'Alison Wilding at Karsten Schubert', Untitled Magazine. Autumn, No 2, p 8 (ill) |
| |
Richard Cork | |
'Patrons of Rare Vision', The Times, December 21, p 25 |
| 1994 | |
| |
'Art Comes To I T N', Blueprint Magazine, No 108, June, p 14 (ill) |
| |
David Lee | |
'Alison Wilding', Art Review Magazine, pp 6-10 (ill) |
| 1995 | |
David Lillington | |
'Alison Wilding', Time Out Magazin e, February 1-8, p 44 (ill) |
| |
Hugh Stoddart | |
'Alsion Wilding', Art Monthly Magazine,, February pp182-183 (ill) |
| |
Brian Sewell | |
'Twenty-Five Years With the Rag- and Bone-Man', Evening Standard, June 29, p 31 (ill) |
| |
Tim Hilton | |
'Now Here's a Thing',The Independent on Sunday, |
| |
| |
'Sculptor Work', Nottingham Evening Post, August 26 |
| |
William Packer | |
'Moulded To Its Environment', The Financial Times, p XVI |
| |
| |
agiTATE, Tate Magazine, Winter, p.10 (ill) |
| |
Charles Hall | |
'Resounding success', The Times, Tuesday November 14, 1995 (ill.) |
| |
Sharon McCann | |
Fried Circuit/ Overall, November , (ill.) |
| |
| |
'Talks on Sculpture', Nottingham Evening Post, October 14 |
| |
| |
Preview, The Guide, The Guardian, p. 3 |
| |
| |
Photo-copy, October |
| |
| |
Pick of the Week, The Independent, October 10 |
| 1996 | |
| |
Burlington Calender March - 'Echo' Illustration |
| |
Richard Cork | |
'Look closer, and all is revealed', The Times, Tuesday April 9, p.11 (ill) |
| |
Tania Guha | |
'Alison Wilding', Time Out, No 1337 April 3-10, p.48 (ill.) |
| |
Estelle Lovett | |
'Alison Wilding:Echo', SX magazine ,April 3, p.12 |
| |
Laura Church | |
'Alison Wilding at Karsten Schubert', Asian Sculpture News, Volume 2, Number 2 Spring 1996 |
| |
| |
Time Out, Dublin Event Guide, May 1996 (ill) |
| |
C.Allemand-Cosneau | |
'British Sculpture in France', The Henry Moore Foundation |
| |
& C Ferbos-Nakov | |
Review, Issue 3 Autumn 1996, pp 6-7 (ill.) |
| |
Suzanne Cotter | |
�Alison Wilding; Musee des Beaux Arts, Calais�, Untitled, November 1996, p 25 (ill) |
| 1997 | |
| |
�Bank Art� The Big Issue, Feb 25-Mar 4 1997 (ill) |
| |
Philip Hensher | |
'Object Lessons' Mail on Sunday, April 6 1997, Night & Day (ill) |
| |
Richard Shone | |
'Material Witness' The Observer Review, April 6 1997 |
| |
Sarah Kent | |
�Material Culture�, Time Out, April 16-23 1997, p 44 (ill) |
| |
Martin Gayford | |
'Poppet Green is alive and well' The Spectator, April 261997 p48 |
| |
Charles Mandel | |
'Wilding Knows the Territories', Edmonton Journal, Dec 15, 1 |
| |
| |
Canadian Art Magazine, Vol 14, No 4, p 11 (ill) |
| 1998 | |
John Bentley Mays | |
'English Artist names the unnamable', The Globe and Mail, (Canada), February 21, p C9 |
| |
Jemma Cooper | |
'It's a Flowing Tribute to Shipbuilding',Evening Chronicle (Sunderland), November 5, p11 |
| |
Alistair Robinson | |
'Revealed: the Wear's floating rival for the Angel', Sunderland Echo, November 13 |
| |
Zo� Burn | |
'Glowing Praise for Wear's Floating River Sculpture' Sunderland Echo, November 14 |
| |
Robert M Murdock | |
'Alison Wilding: A Project', Review (NY), December 15, p 25-6 |
| |
Grace Glueck | |
'Art in Review: Alison Wilding' The New York Times, December 18, Weekend p E40 |
| |
Alex Potts | |
'Edinburgh and Skipton Castle. Carl Andre and Alison Wilding' Burlington Magazine, December 1998, pp 848-850 |
| |
Gail-Nina Anderson | |
'Grounded: Alison Wilding' Northern Review, Dec 1998 - Jan 1999, p6 |
| 1999 | |
John Whitley | |
�Wilding�s water baby� The Daily Telegraph, 16 Sept 1999 (ill) |
| |
| |
�Will Wear�s floating sculpture rival the Angel?� Sunderland Echo, 23 Sept 1999, p1 & p7 (ill) |
| |
| |
�Reflections on a past glory� Journal 24 Sept 1999 |
| |
Alistair Robinson | |
�Wear�s latest launch � and it�s all in the name of art� Sunderland Echo, 28 Sept 1999, p1 & p7 (ill) |
| |
Peter Hetherington | |
�Floating art evokes city�s past� The Guardian, 29 Sept 1999, p 4 (ill) |
| |
Paul Stokes | |
�Steel tubes become mainstream art� The Daily Telegraph, p9 (ill) |
| |
| |
�ambit n. the scope, extent, or bounds of something now bobbing about on the Wear� Sunderland Echo, 29 Sept 1999, p3 (ill) |
| |
| |
�Dawn on the river shows first floating sculpture in its best light� Northern Echo, 29 Sept 1999 (ill) |
| |
| |
�Water show lights river�, Sunderland Echo, 30 Sept 1999, p1/3 (ill) |
| |
| |
AN Magazine, Nov 1999, �Ambit� on cover, p10 |
| |
Jonathan Jones | |
�Ring of bright water� The Guardian, 2 Oct 1999 (ill) |
| 2000 | |
Ian Tromp | |
�Making Visible � On Alison Wilding� Sculpture Magazine, Jan - Feb 2000, pp 17-23 (ill) |
| 2001 | |
Morgan Falconer | |
�An abstract Passion� (Contract) ArtReview, Feb 2001 (3, ill) |
| |
Lynne MacRitchie | |
�The raw materials of Passion� (Contract) Financial Times, 15 Jan 2001 (ill) |
| 2002 | |
Mira Hudson | |
�Matter Into Form� RA Magazine, Summer 2002 |
|
|
|
|
Tel: +44 (0) 20 7734 9002 | Fax: +44 (0) 20 7734 9008 | [email protected]
Copyright 2005 © Karsten Schubert, Alison Wilding, the photographers
|
|
|